Art-Life Gallery Workshop exhibits contemporary art, trades in books & books- by-the-foot, and gives workshops in conjunction with exhibits. We specialize in works on paper which reveal artist's practice. Paper-making and upcycling workshops are on offer twice monthly.      

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E-mail | art.lifehk@earthlink.net

Telephone | +852 6937 9063

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Location |  MakerHive 

Cheung Hing Industrial Bldg 10/F 12P Smithfield Road  

Kennedy Town, Hong Kong Island

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Sustainability is a concern for local communities and global companies. Art-Life workshops are a way to learn about resource and how to better our environment. We recycle, reuse, and repurpose materials to make art. Paper making, 3-D Paintings, Collage, and Fruit-and-Vegetable Prints are on offer.  

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Diamond & Pearls 金剛與舍利子永恆的智慧

Wang Zhigang. New paintings 王志剛作品展 

with photographs by Zoey Li 李瑤「凡人」劇照

March 26-May 25 2016

Working in acrylic on canvas, Wang Zhigang paints the head of the Buddha and seated Buddha figures 坐佛 on multiple canvases. He set out to paint "multiples" of the Buddha--China's biggest celebrity. This falls in the lineage of Andy Warhol's silkscreen images of celebrities from the 1970s, he says, with a wink. Mass -produced art may well have started with religious icons and ritual, and Wang returns to the core of this practice, in effect.

 

He reenvisions the Buddha and śarīra pearls in his work.

 

In autumn 2015, 512 of the head of the Buddha covered a two-meter wall, with one thousand and eight canvases, each 15 x 15 cm in size, positioned end to end at the Nanjing Institute of Fine Arts. On Wang's request, a Buddhist priest blessed the images (kaiguang 開光), as a kind of performance art.  Li Shan (b. 1942) joined in this performance at the opening reception, painting a pink lotus on the mannequin of a pregnant woman with the Buddha painted on her belly.

 

In 2015, Wang began a new series of paintings that reflect on the impermanence of the physical world and the fragility of the body.  He arrived at this by chance, after a visit to the hospital to X-ray his spine. He found the blue-on-black images of damaged vertebrae complement the stone surface of statues he paints in acrylic on canvas.

 

The śarīra (sheli 舍利) or "pearls" are what remains when a Boddhisattva is cremated. Also called "bone shards," these are jewel-like relics, and can be seen as the permanent remains of detachment from the material realm, temptation and desire.

 

The sensation of stone that Wang creates in his paintings seems solid and real, but is an illusion. The bone in the body is impermanent, that is reality.  Such interplay between permanence and transcience is a concern in the Diamond Sutra (Jingang jing). As Wang says, the sutra is impenntrable, and those people who recognize that the meaning eludes them are enlightened. The people who think they know its meaning have not yet grasped it.

 

Zoey Li's photographs from Being Mortal are inspired by the experience of seeing a family member on life support, and crystallized after seeing the x-ray juxtaposed with stone surface in Wang's paintings. A talented lighting designer, she selected images from her graduate show for the Hong Kong Academy of Performing Arts. 

 

Fourteen of the X-ray images are in the current show, and sixty black-and-white images of the head of the Buddha, each painted by hand, identical but unique.

 

Wang's first solo show in Hong Kong also features ten Buddha heads painted in gold, 15 cm square, from a series of 100 hand-painted images, which shimmer and seem to move as the light changes through the day. The paintings are sculptural in effect, as seen on the left.  

 

A set designer based in Shanghai, Wang Zhigang has been a full-time fine artist since 1996. His works are in private collections in Shanghai, Changzhou, Canton, Japan, and the U.S.